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In the limbo bounded by rebellion and resignation, belonging and solitude, Ed Allen's middle Americans seem to be either freely adrift or uncomfortably vested in an exit strategy wholly inadequate for their circumstances. These sixteen darkly humorous stories gauge the tension between what we really feel and what we outwardly express, what we should do and what we manage to get done.
In "Celibacy-by-the-Atlantic," Phil negotiates a lingering, low-intensity regret brought on by the annual family get-together at his parents' beach house, where memories of his aimless, privileged adolescence mingle with forebodings of his aimless, privileged middle age. In "A Lover's Guide to Hospitals," Carl lies in bed, pining over a stillborn romance through a moody, post-op haze of painkillers. As a consoling needle through the heart, the object of Carl's unrequited affections also turns out to be his nurse.
In "Burt Osborne Rules the World," a precocious boy ponders his childhood in "a world protected against anything you could imagine doing to make it more interesting." Sensing that only more of the same awaits him as an adult, Burt charts a different course--as a class clown with a truly toxic sense of mischief. Others, like Lydia in "Ralph Goes to Mexico," assert their individuality more effortlessly, for they're just too naturally odd to be cowed by convention. Lydia's dilemma is whether she should have her leukemic cat stuffed and mounted or turned into a hat after he dies.
These lyrical tales celebrate the ordinary--and the not so ordinary--with a flourish of Nabokovian wit that combines grandeur, kitsch, and the author's broad empathy with his characters.
- Sales Rank: #2674145 in eBooks
- Published on: 2003-09-22
- Released on: 2003-09-22
- Format: Kindle eBook
From Booklist
In this collection of 17 stories--winner of the Flannery O'Connor Award for Short Fiction--memory is potent, senses are sharp, and insight is keen. Allen can take a single word--such as houseguest--or a single sensation or place and spin something memorable around it. He evokes places, such as New York City and New England sites, in several stories; the sound of real clarinet music in "How to Swallow," about judging a contest of young musicians; and the taste of real Mexican food in "Hot Plate," in which a traveling businessman enamored of such cuisine despairs at what he is served at a college town in Wisconsin. Characters are on the verge of possibility or regretting lost opportunities, as in "Burt Osborne Rules the World," in which a sixth-grader who vomits during his class Christmas play finds that the response to the unfortunate incident changes his life. Yet characters are almost secondary to sensation; what lingers are Allen's succinct word pictures and vividly crystallized moments. Michele Leber
Copyright © American Library Association. All rights reserved
Review
I don't know another writer quite like Ed Allen . . . brilliant, offbeat . . . an insider giving us the lowdown on American life.
(X. J. Kennedy author of The Lords of Misrule: Poems, 1992-2001)Ate It Anyway is a very thoughtful, funny book, written by a mature and compelling author. The stories are loaded with beautiful sentences and very smart insights, impressive especially because the voice within them seems truly unique and distinct.
(Antonya Nelson author of Female Trouble)Allen is a genius at rendering the second-rate colleges, chain hotels, and franchise restaurants of America's suburbs and Flyover. Amidst all the shrink-wrap and cinderblock and artificial grass, he conjures up people and incidents who leave him (and us) terribly sad, hilariously amused, and, quite often, suffused with unbearable wonder and longing. This is a long-overdue collection from an exceptionally imaginative writer.
(Thomas Mallon author of Henry and Clara)Ed Allen writes in a rich, hearty style about middlebrow Americans living lives of spiritual and cultural improverishment. In case you missed my point, that's three areas of value bound up together: wealth, mediocrity, and poverty. Would the reader expect the resulting brew to be a disaster? Far from it. Allen zeroes in on the particulars of our shared culture with a perspective that reminds me of nothing so much as the pop-influenced writing of the New Journalists of the late 1960s; the early work of Tom Wolfe comes to mind.
(Bloomsbury Review)They have such an irresistible voice and such a rich rhythm of observation they transform the mere stuff of the external world into shimmering significance . . . What motivates Ed Allen's characters is often puzzling and perverse, and therefore strangely familiar and powerfully irresistible to us.
(Milwaukee Journal Sentinel)In this collection of seventeen stories memory is potent, senses are sharp, and insight is keen. . . . What lingers are Allen’s succinct word pictures and vividly crystallized moments.
(Booklist) From the Publisher
Quirky, sympathetic stories about the mixed messages we send to ourselves and each other.
Winner of The Flannery O'Connor Award for Short Fiction
Most helpful customer reviews
4 of 5 people found the following review helpful.
The Bubble of Memory
By Bohdan Kot
A sad undercurrent meanders throughout Ed Allen's collection of short stories, "Ate It Anyway." The Flannery O'Connor award-winning volume for short fiction focuses on middle-class America and its failed quest for a meaningful and lasting happiness. The characters usually speak about their inner lives in a confessional-style prose. Often the protagonist will reminisce about a past that seemed so much better than it truly was.
The opening short story, "River of Toys," encloses a revealing thought, "A neighborhood is whatever anyone wants to remember about it." What makes the characters poignant is their self-knowledge of drowning in the mire of an average life they abhor. The notion is most striking in "Burt Osborne Rules the World." The short story's title soon becomes apparently oxymoronic as the character of the title's name laments, "I could have done a better job of being Burt Osborne." He peaks during sixth grade, the height of his unique individuality, and then dives headlong into mediocrity.
In short, Allen covers the terrain of an unfulfilled life like a consummate foreign correspondent. Memory turns out to be an ever-increasing bubble that holds characters within its isolated limited world of the past while pushing out the possibilities of living in the present and having any hope of a joyous future.
Bohdan Kot
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