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The Book of Five Rings, by Miyamoto Musashi
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There are various Ways. There is the Way of salvation by the law of Buddha, the Way of Confucius governing the Way of learning, the Way of healing as a doctor, as a poet teaching the Way of Waka, tea, archery, and many arts and skills. Each man practises as he feels inclined. It is said the warrior's is the twofold Way of pen and sword, and he should have a taste for both Ways. Even if a man has no natural ability he can be a warrior by sticking assiduously to both divisions of the Way. Generally speaking, the Way of the warrior is resolute acceptance of death.
- Sales Rank: #27513 in eBooks
- Published on: 2013-02-18
- Released on: 2013-02-18
- Format: Kindle eBook
Amazon.com Review
To learn a Japanese martial art is to learn Zen, and although you can't do so simply by reading a book, it sure does help--especially if that book is The Book of Five Rings. One of Japan's great samurai sword masters penned in decisive, unfaltering terms this certain path to victory, and like Sun Tzu's The Art of War it is applicable not only on the battlefield but also in all forms of competition. Always observant, creating confusion, striking at vulnerabilities--these are some of the basic principles. Going deeper, we find suki, the interval of vulnerability, of indecisiveness, of rest, the briefest but most vital moment to strike. In succinct detail, Miyamoto records ideal postures, blows, and psychological tactics to put the enemy off guard and open the way for attack. Most important of all is Miyamoto's concept of rhythm, how all things are in harmony, and that by working with the rhythm of a situation we can turn it to our advantage with little effort. But like Zen, this requires one task above all else, putting the book down and going out to practice. --Brian Bruya
From Library Journal
Written by legendary Japanese swordsman Musashi, this 17th-century exposition of sword-fighting strategy and Zen philosophy has been embraced by many contemporary readers, especially business school students, as a manual on how to succeed in life. There are many English translations, but every one, including this one, suffers from inadequate cultural, literary, and philosophical commentary. Musashi's work should be studied, not simply read, and Cleary's translation lacks commentary; it also makes the prose seems flat and the philosophy simplistic. Yet what makes this new translation worthwhile is the second text, buried deep in the back like an appendix: Yagyu Munenori's The Book of Family Traditions on the Art of War. This text, also an exposition on sword fighting and Zen philosophy, is difficult to find in an English translation, and its availability is welcome. Recommended for academic libraries generally.
- Glenn Masuchika, Chaminade Univ. Lib., Honolulu
Copyright 1993 Reed Business Information, Inc.
Review
"Embraced by many contemporary readers as a manual on how to succeed in life."--"Library Journal"
Most helpful customer reviews
325 of 332 people found the following review helpful.
Best translation available
By D. Thomas
I have studied this book for years, and have read five different translations. The William Scott Wilson translation is by far the best. I always get the feeling that other translators are putting too much of themselves or their ideas about what Musashi is saying into the translations. Wilson's translation is clear and concise and yet does not feel filtered.
Here is a passage from the Thomas Cleary translation "Upset happens in all sorts of things. One way it happens is through a feeling of being under acute pressure. Another is through a feeling of unreasonable strain. A third is through a feeling of surprise at the unexpected."
Here is the same passage translated by Wilson "There are many kinds of agitation. One is a feeling of danger, a second is a feeling that something is beyond your capability and a third is a feeling of the unexpected. This should be investigated thoroughly."
They say the same thing, but Wilson is clearer.
As for the book itself, it is a classic masterpiece that describes not only a style of swordsmanship, but a way of living.
226 of 244 people found the following review helpful.
Some comments on the philosophy
By magellan
As others have already written very complete reviews, I just had a few miscellaneous comments, mostly on how to understand Musashi's seemingly paradoxical ideas about technique.
This has become a legendary book. Written by the famous swordsman, sometimes referred to in the west as "The Lone Ranger of Japan," Musashi claimed to have been in over 60 sword battles, triumphing each time, so it's no wonder Musashi's name has become legendary in both Japan and the west.
The book sets out Musashi's philosophy and correct Way of the Sword. But the principles Musashi espouses are bound to sound perplexing to many people. Musashi says that the best stance is no stance, that too much strength is bad (your sword may shatter when clashing swords), and that even too much speed is bad (it may upset your balance), and that none of these are the true Way of the Sword. The best technique is, in fact, no technique.
This sort of philosophy is bound to be more than a little confusing, so I'll see if I can clarify it a little. I'm not sure I understand Musashi either, although I've studied martial arts for many years and have read my share of eastern philosophy, but I'll give you my ideas on how I relate to them just in case you find them useful.
Basically what Musashi is saying is that once you've learned a technique and committed it to memory and especially "muscle memory," it becomes fixed and is no longer adaptive. Your body becomes channalized into this form or technique, which then becomes limiting, preventing you from achieving true mastery, which is the ability to adapt and flow with any of the infinite number of situations you may encounter. Fixity is therefore dysfunctional and is not the true Way of the Sword. This might be what Musashi means when he speaks of the Way of Emptiness being his way and the true Way of the Sword. In other words, his technique is no technique because it is empty of all fixed, unchangeable, and unadaptive aspects.
There is an analogous principle in Zen. In Zen, the highest level of technique is called "the technique that can't be seen." This doesn't mean that the technique is so fast it's invisible. It's that the technique is so advanced and subtle that its principles aren't obvious and easily seen. Musashi's ideas seem to reflect this Zen Buddhist principle also.
Interestingly enough, this idea has some support from western research into learning and the brain. In learning theory, there is the idea of "stereotyping," (which has nothing to do with social or racial stereotypes), where motor movements that have been learned become fixed into a certain sequence or pattern, but which is not necessarily the most efficient or effective. My learning theory instructor used the example of shaving strokes. He realized after some years that he always did his shaving strokes in the same way, after having learned how to do them, but that they weren't necessarily the best way to shave, anymore. Now that he'd been shaving for years, he "re-engineered" his shaving strokes so that they were more efficient.
This may apply to the martial arts too. After we've learned a certain movement and achieved a certain level of skill with it, we may become complacent and never go back and question the movement again. All because we believe we've achieved a level of "skill." I notice Paul Vunak, an important martial artist in Bruce Lee's Jeet Kune Do and the Filipino martial arts, also emphasizes the learning of principles rather than "technique," and specifically mentions this in his seminars. The idea is that once one has learned the principle behind the technique, one can do an infinite number of those techniques, depending on the situation.
Another interesting physiological principle that is almost as paradoxical as Musashi's ideas has been found by western science. There is a phenomenon in neuromuscular physiology known as reciprocal inhibition of flexor-extensor pairs. This means that during muscle activity the opposing muscle tension is inhibited to reduce effort on the flexing muscle. So if you're trying to do a straight punch, the tricep tenses and the bicep relaxes, thus reducing resistance. The paradoxical aspect arises from the fact that by performing a small jerk backwards in the opposite direction to the punch the outward extensor motion can be speeded up. In kinesiology they refer to this as a "pliometric jerk," and is how basketball players jump higher. But it also has equal application to the martial arts, and I've had good results using this to get more speed and snap in my own techniques and for my students.
Anyway, I just thought I'd offer a few suggestions from my own experience on Musashi's book, although I can't say I fully understand it either. But I hope you find them helpful in some small way in your own understanding and training.
118 of 126 people found the following review helpful.
Bonus Material Not Found in Other Translations
By Swing King
This classic text deals with the delicate art of leadership, and was composed originally in 1643 by the famous samurai Miyamoto Musashi. But this book isn't just for those involved in the martial arts, as the previous reviewer suggests, no far from it; it's for anyone who wants to enjoy the neverending wisdom contained within this text. Thomas Cleary's translation of Miyamoto's masterpiece is comprehensible, with an introduction that presents us readers with the spiritual backdrop of the warrior tradition that is vital for the rest that proceeds. This most up-to-date edition also embraces one more important Japanese text - "The Book of Family Traditions on the Art of War" by Yagyu Munenori; here the book highlights insights of Zen and Taoism as they pertain to the way and life of the warrior. Enjoy the book! Cleary is a terrific translator.
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